CHASING
HATS
Nov '02
By Rachel Eyre


I sampled the first few songs of this CD with apprehension. Remaining a little hesitant throughout the album, I was sure there was something I was missing. I was unwilling to stop listening to this collection of celtic tunes until I knew what I thought of them, and turned on the music once again. And again. And once more. Eventually, I began to realize that this type of music is the kind that needs to be engrained in you. After listening to this album over and over, I finally have come to the conclusion that I love it. 

The beat and rhythm mixed well with my Scottish blood, stirring me into a dancing pulse and feeding a joyful vitality within me. In the introduction of the first track, "Fifty-four Winters," there is a flamenco-styled progression of chords, which blend amazingly well with the traditional Celtic feel of the song. "Atlantic Bridge," a few tracks later, is one of my favorite tunes on this album instrumentally, with its upbeat mood and constant sway. Played in a waltz beat, its pleasant tune is both relaxing and stimulating, and works as a perfect interlude among the rest of the songs. 

The lyrics of "Covenanter" immediately caught the attention of my ears. First, the chorus is sung: “Covenanter / Your sword and your bible by your side / The riders and the forces of the king are close behind / If they take you, you’re sure to be a martyr.” The song unfolds into a story of the persecution of the Scottish Covenanters during the 17th century. In the last verse, “Now the darkness is your friend / And you wonder when this desperate hide-and-seek will ever end,” the lyrics express the grave circumstances of the time while, at the same time, they add an almost light-hearted element to the story to match the tune. 

Nearing the end of the album, the calm tune of "Fair One" gives the listener a lullaby effect, the melody accompanied by a simple and smooth harmony. Every track on this CD seems to fit with the other, while at the same time a particular style can be distinguished among them individually. 

As a celtic music-lover, I couldn’t help but enjoy myself as I became better acquainted with every song. I’m persuaded that whoever takes pleasure in folk, Scottish, or celtic music in general will find some enjoyment in what this album has to offer. So, if you’re in the mood to sway to songs with a lively spirit, or to be lulled by the sweetness of the peaceful tunes, sample some of the songs on Under the Blue.

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